{"id":469,"date":"2023-04-03T14:32:22","date_gmt":"2023-04-03T14:32:22","guid":{"rendered":"http:\/\/coda-working-final.local\/?p=469"},"modified":"2023-08-25T14:32:48","modified_gmt":"2023-08-25T14:32:48","slug":"open-class-digital-humanities","status":"publish","type":"post","link":"https:\/\/coda.letras.up.pt\/pt\/open-class-digital-humanities\/","title":{"rendered":"Open class \u2013 Humanidades Digital"},"content":{"rendered":"<p>It&#8217;s next week, at FLUP and via Zoom!<\/p><p>The next Open class CODA in the area of Digital Humanities will be in collaboration with the Instituto de Literatura Comparada Margarida Losa (ILCML) and the Master in Literary, Cultural and Interart Studies &#8211; UC Po\u00e9ticas Comparadas.<\/p><p>Diogo Marques (CODA, ILCML | FLUP), Ana Gago (CITAR | UCP), Rui Torres (ICNOVA; UFP)<br>\u00abForests do not sprout, do not multiply, do not sigh\u00bb: cyberliterature and environmental education<br>26 April | 13:30-15:00 | room 307 &#8211; FLUP<br>Zoom: https:\/\/shorturl.at\/qrIWX<\/p><p>Summary:<br>Starting from the exploration of the ludic-pedagogical potential of combinatorial and permutational processes of writing-reading, I propose to discuss possible applications of cyberliterature in the context of the development of environmental education strategies, inside and outside the institutional field of action. Through the analysis of the cyberliterary poem \u00c1rvore (2018), by researcher and experimental poet Rui Torres, and its relationship with artivist and hacktivist practices, cyberliterature is placed in dialogue with issues such as sustainability and technological obsolescence. Additionally, reference will be made to other examples of artistic-literary (post-)digital creations, with international impact, as integral parts of the same ecosystem, such as About Trees (2015), by Katie Holten, DEFOOOOOOOOOOOOOOOOOOOOOOOOREST (2017), by authored by Joana Moll, and Amazon (2019), by Eugenio Tisselli. In order to illustrate the continuity of Ciberliterature in the broader context of experimental practices in Portugal, some of its precursors will also be summoned, such as Soneto Ecol\u00f3gico (2005), installation of environmental poetry, by Fernando Aguiar. Putting tradition and innovation in dialogue, several paths of possibility are written (and recombined) from\/to digital literature, as an artistic-literary manifestation and as an educational, interventional and mobilizing tool.<\/p><p>Organization:<br>CODA &#8211; Center for Digital Culture and Innovation, ILCML, FLUP and FCT.<\/p><p><\/p><div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"http:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-725x1024.jpg\" alt=\"\" class=\"wp-image-470\" srcset=\"https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-725x1024.jpg 725w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-212x300.jpg 212w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-768x1085.jpg 768w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-8x12.jpg 8w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-17x24.jpg 17w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-25x36.jpg 25w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267-34x48.jpg 34w, https:\/\/coda.letras.up.pt\/wp-content\/uploads\/2023\/08\/1681989489267.jpg 843w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>It&#8217;s next week, at FLUP and via Zoom! The next Open class CODA in the area of Digital Humanities will be in collaboration with the Instituto de Literatura Comparada Margarida Losa (ILCML) and the Master in Literary, Cultural and Interart Studies &#8211; UC Po\u00e9ticas Comparadas. Diogo Marques (CODA, ILCML | FLUP), Ana Gago (CITAR |&hellip;&nbsp;<a href=\"https:\/\/coda.letras.up.pt\/pt\/open-class-digital-humanities\/\" rel=\"bookmark\">Ler mais &raquo;<span class=\"screen-reader-text\">Open class \u2013 Humanidades Digital<\/span><\/a><\/p>","protected":false},"author":2,"featured_media":470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/posts\/469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/comments?post=469"}],"version-history":[{"count":0,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/posts\/469\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/media\/470"}],"wp:attachment":[{"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/media?parent=469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/categories?post=469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coda.letras.up.pt\/pt\/wp-json\/wp\/v2\/tags?post=469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}